awesome

Guitar String Oscillations!

This intrepid guitarist put an iPhone inside his acoustic guitar to capture the string oscillations with amazing results. Below, I'll explain a little about what's happening, and also dig into some of the physical aspects of sound creation on the guitar.

Pretty cool, right?

What's happening in the video is the result of an effect called rolling shutter. Basically, the sensor in the iPhone doesn't capture each frame of the video instantaneously, but rather scans in a "right to left" pattern. The strings are moving faster than the camera's image sensor can scan, so different sections of each string are captured at different points in motion, resulting in a waveform shape. (Whew! Still with me?)

While the waveforms in the video don't exactly represent what we might see on an oscilloscope, they do create an opportunity for us to explore some fundamental aspects of sound production. First, a few definitions:

  1. Frequency - The rate at which a vibration occurs that constitutes a wave, either in a material (as in sound waves), or in an electromagnetic field (as in radio waves and light), usually measured per second (Hz).
  2. Amplitude - The maximum extent of a vibration or oscillation, measured from the position of equilibrium

In the video above, each string takes on a particular moving shape after being plucked. The shape (sequences of alternating hills and valleys) can be seen as a representation of both frequency and amplitude. Frequency is represented by the number of times a particular hill/valley pair appears on a string, and amplitude by the size of the hill valley pair.

Lower pitches have a lower frequency (rate of hill/valley repeat), while higher pitches have a greater frequency, and these rates of repeat are measured in cycles per second, or Hertz (Hz). On a guitar in standard EADGBE tuning, the strings vibrate at the following frequencies:

  • Low E: 82.41 Hz
  • A: 110.00 Hz
  • D: 146.83 Hz
  • G: 196.00 Hz
  • B: 246.94 Hz
  • High E: 329.63 Hz

This means that when you play the high E string open, it completes 329.63 hill/valley pairs every second! Pretty cool.

In the video, you can see frequency in the spacing bewteen the hills. Lower pitched notes, vibrating at lower frequencies, have lots of space between the peak of each hill. Higher pitched notes have very little space, and look much 'pointier' as a result.

The frequency of octaves has an interesting mathematical relationship. To get to the next highest octave, you simply double the frequency of your starting note. In the list above you'll see that the Low E string vibrates at a frequency of 82.41 Hz. To get to the next octave (ex. fret 12 on the low E), we'll double the frequency to 164.82. What happens if we double that number again? We get 329.63, the vibrating frequency of the High E!

If you skip to 2:02 in the video you can see the frequency difference quite clearly. First, the guitarist strums each string open, then plays each as a 12th fret harmonic (which is one octave higher than each open string). The harmonics have a visibly faster rate of motion, while retaining a similar shape to the open string.

[Sidenote: To play a harmonic, place your left hand index finger on a string, directly over the 12th fret. Don't push down, just touch the string lightly. Now pluck the string with your pick and you should hear a clear bell-like note one octave higher than the open string.]

Okay, so we have this whole frequency thing figured out, but what about amplitude? In the video, amplitude can be seen as the size of the hills/valleys. When the guitarist first strikes a string the hills are large, gradually decreasing in size as the note fades out. As you might already be guessing, amplitude is the volume of a sound. The taller the hills the louder a particular note sounds to us, and vice-versa. Combine this with frequency, and you get something like the shapes in the video.

So that's it! With a simple but ingenious YouTube video as our guide, and a little know-how, we've (either totally blown up our brains or) gained greater insight into what happens when we play the guitar. If you'd like to learn more about how physics applies to the guitar, keep an eye out for future blog posts!

Good luck, and happy shredding!

ck

Chris Kuklis teaches guitar and all sorts of fun stuff. To learn more about the science behind sound, check out Chris's BML page and schedule a lesson.

NerdPop // Utilizing The Tools Of Our Electronic Time

Every day we're surrounded by tools & gadgets & pop culture refuse.  (Think of all the things you own or interact with that beep & click & blink & sing.)  I think an important avenue of music creation at the moment involves exploring these alternate instruments & sound creators.  This video is an excellent example.

With a little bit o' creative/videographical know-how & a couple bags of "novelty" instruments, these quirky Englishmen have made something that's funny, entertaining & musically legitimate.

Of note: Unlike many in their field, Mr. Domino & his cohort use totally stock instruments with no effects, hardware/software hacks, mods, circuit bends etc.

Regardless of your instrument or chosen path, remember that there will always be new ways to be creative.

...:::ck:::...

“With great power…” [a guitar effects primer]



My name is Chris.
I am a guitarist.
I am a scientist.
I am a seeker of sounds.
I am an explorer of tone colors.
I am a dedicated enthusiast of guitar effects.

Much as it pains me to say, guitar effects are often grossly misused.

This is not the fault of the player, for how can you blame someone for something they don’t realize is wrong, but it is the sad truth. They pick up the latest guitar mag or check out their favorite player’s setup and think “Wow, what a great shortcut! All I have to do is buy the same pedals and I’ll sound just like Johnny Greenwood!”

This is not the case.

Effects are instruments.
Each pedal must be seriously studied and practiced and combined with every possible pickup and amp setting, every possible picking technique, throughout every string and octave of your instrument and beyond.
You must spend dedicated hours learning the ins and outs of every feature.
You must test and re-test every combination.
You must become intimately connected to the feel of each knob and know, without thinking, exactly how it will respond.

You must become a scientist of sound.

This is what Johnny Greenwood did.
This is what Animal Collective did.
This is what The Flaming Lips did.
This is what so many other greats have done.

and this, my friends, is precisely why their use of effects stands as a glorious monolith of inspiration to us all…

Now, take everything you’ve just read and throw it out the window!!! Quick!!

Effects are about FREEDOM and the pure joy of exploration!
Effects are about the search for something new in the great unknown!
Effects are about taking what you do with the guitar, an instrument with one of the most diverse tonal palettes available, and expanding the possibilities to infinity!
Effects are another way to find your distinct and original voice and show it to the world!

There are no answers!
There is no right or wrong!
There is only sound!

This is what Johnny Greenwood discovered.
This is what Animal Collective discovered.
This is what The Flaming Lips discovered.
This is what so many other greats have discovered.

and this, my friends, is precisely why their use of effects stands as a glorious monolith of inspiration to us all.

Now, take what you threw out the window earlier (it’s ok, I’ll wait while you find it), combine with what you just read, and you have the answer.

Using effects in a meaningful way is no simple task, for you must be BOTH the great scientist and the wild creative rebel. But with time and effort and wondering and exploring, you can create sounds that no one has ever heard and in doing so, you’ll be one step closer to your true voice as a musician.

This can be an arduous journey, as all truly rewarding paths tend to be, and many are lost along the way… But you are a BML student. You are different. The very fact that you’re reading this article means that you care enough about finding your voice and bettering yourself that you’re taking the necessary steps to make it a reality. With this mindset, and the words above, there is no pedal you cannot conquer.

As Peter’s Uncle Ben said: “With great power, comes great responsibility..."

ck

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