Announcement

Baroque Influenced Improvisation

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Cantata 159 by JS Bach - Luce Trio

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Lascia Ch'io Pianga by GF Handel - Luce Trio

In line with Emma Sky's post from September, on the topic of combining hip hop with classical training, I would like to discuss my new project, the Luce Trio. We are three musicians with a jazz background, performing the music of Bach, Handel and John Dowland.

I have in the past few years had a growing interest in early music, finding that much of my time it is all I will listen to for weeks. I had been working out the problem of how I could bring it into my performance repertoire, without having any connections to the classical world or any real experience playing with chamber ensembles. I decided to start my own group with musicians that I felt could interpret this music in their own way.

Thus began the Luce Trio, featuring fellow BML teacher, Chris Tordini, on bass and Ryan Ferreira on guitar. I chose the instrumentation of electric guitar with effects, acoustic bass and saxophone to give the music a different character right off the bat. On top of that we improvise over the themes. I went through and translated the original scores into chord symbols where possible, simplified sections, and opened it up so we could play them more freely while still keeping the spirit of the piece.

ARRANGING THE MUSIC

On Cantata 159, by JS Bach, I used only the intro to the bass aria. It is originally played on oboe, and when I first heard it, it sounded so much like a soprano saxophone that I had the idea of playing it on one. The melody also has beautiful chromaticisms, flat nines and flat thirteenths, which made me think of using it in a jazz context. I analyzed the harmony, wrote out standard chord symbols, C, C/B, Am, Adim, Em etc... and it's become a nice short tune that's really fun to play over.

On the piece Lascia Ch'io Pianga, from the opera Rinaldo by GF Handel, I moved the A section from the original 3/4 to 4/4 and added a simple counter-line in the guitar. On the version here we stay in 4/4 for the "bridge" before returning to the A section, resulting in a standard AABA song form, making the tune easier to play over and more open to improvisation. On the record I returned the bridge to it's original 3/4 meter and extended form, which we still improvise over, it's just harder!

We recorded in the church last week and it went beautifully. Stay tuned for the CD.

Jon De Lucia teaches flute, saxophone and clarinet with Brooklyn Music Lessons. To learn more about translating Baroque music in a jazz / improvised context, check out Jon's BML page and schedule a lesson.

IN ONE WIND releases "How Bright A Shadow!"

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Moving by In One Wind

I'm excited to announce that In One Wind is releasing our first full length album, How Bright A Shadow! on the Primary Records label.

Working with In One Wind for almost 3 years has taught me how essential it is to practice your musicianship with others. Crafting yourself as an artist is important, but there comes a point where practicing singing by yourself--playing and singing alone in your room--doesnt push you enough. The same way that a new language is best learned by conversing with others, singing with other instrumentalists or vocalists can expose you to new styles and musical ideas you might not have had to approach on your own. The members of In One Wind all come from different parts of the country (from California to Milwaukee to Pittsburgh!), and have varying musical backgrounds. Some of us studied classically, some of us played lots of different instruments growing up, some of us just plain sang with the radio. Getting a chance to exchange musical ideas with these individuals has opened my ears to new methods of approaching creativity in general, and the music, being a product of 6 peoples' different but converging styles, emerges as something unique and genre-bending. 

The band is comprised of vocalist and guitarist Angelo Spagnolo, vocalists Mallory Glaser and Samantha Rise, bassist Robert Lundberg, multi-reedist Steven Lugerner, and drummer Max Jaffe.

How Bright a Shadow! draws on folk, indie rock, avant-garde, and pop influences. Anthony LaMarca (St. Vincent, Dean and Britta) produced the album, and played a critical role in its coming-to-be.

"My role as producer was a pretty easy one as the band already had incredible songs and arrangements," says LaMarca. "My main job was to be an external set of ears; I applaud the band for being comfortable with having someone not in the band help make some changes. This freedom allowed us to experiment with layering voices and woodwinds and adding some collage elements without holding the previous versions of the songs as precious."

The characteristic sound of In One Wind is defined by its instrumentation and the sudden rhythmic and dynamic shifts of the songs on How Bright a Shadow! While Spagnolo is the primary composer for the group, the songs take on their own lives within the band.

"The typical writing process begins with me writing the song in its basic form. I normally work with each individual on their parts and together we sculpt the music," says Spagnolo. "What I really enjoy about this is that it gives everyone some freedom to create within certain parameters and the sound of the band is the sum of six personalities. I'm continually surprised that we are still currently changing songs we've been playing for a long while."

Each section of musicians takes turns at the forefront of How Bright a Shadow! The album's use of space within a sometimes dense ensemble contributes to its special character. Along with Spagnolo's guitar processing wizardry and some minimal electronic manipulations, the pastoral blend of woodwinds, strings and voices is disrupted.

In One Wind's How Bright A Shadow! is available online and in select physical retailers on CD and vinyl. You can catch more of In One Wind at http://www.inonewind.com

Mallory Glaser teaches Voice, Vocal Technique and Improvisation at Brooklyn Music Lessons.
 

Sean Hutchinson's STILL LIFE: New CD

I'm proud to announce the arrival of my first CD as a leader, Sean Hutchinson’s STILL LIFE. This instrumental trio blends acoustic instruments with an electronic ambiance, where modern grooves and singable melodies set the stage for jazz improvisation.

Personnel:

Omer Klein - Piano
Bridget Kearney - Bass
Sean Hutchinson - Drums, Production, Songs

I recorded and produced the record primarily at the Bunker Studio in Brooklyn, NY. We captured some great live textures by running the grand piano, acoustic bass, and occasionally the drums, through a guitar pedalboard (and some other studio gear) then I took tracks to my home studio the added a little extra vibe on my Juno 6 synth and Native Instruments Reaktor software.

Sean Hutchinson’s STILL LIFE: CD Release Concerts

Henry Hey - Piano, Effects
Chris Tarry - Electric Bass
Sean Hutchinson - Drums, Electronics

Tuesday, May 10th @ Rockwood Music Hall, Stage 2 (NYC)

Wednesday, August 24th @ the Triple Door Theater (Seattle, WA)

Thursday, August 25th @ Goodfoot Lounge (Portland, OR)

Thursday, July 28th @ Manchester Jazz Fest (UK)

Thursday & Friday, October 20th & 21st @ the Rex (Toronto, ON)

Sean Hutchinson teaches Drums, Recording & Production, and Piano with BML.

Not Waving But Drowning: egg beaters, angklungs, and accordions

Hello BML community -

Pinky here, excited to report that Not Waving But Drowning just released our brand new record! We in NWBD are firm believers that more is always merrier, so we brought along plenty of things to bang on when we headed up to a candy-striped cottage in the woods to record our latest album, "Processional". We made a joyful noise with violas and vibraphones, banjos and bones, trumpets and tamburas, mandolins and musical saws, spoons and Stroh violins, guitars and glass bottles and garbage cans. The giant turtles in the neighboring pond appeared unperturbed.

Catskills

Not content with merely banging on inanimate objects, we also corralled/conducted a chorus of forty friends back home in Brooklyn to add to the recorded fanfare. (Whiskey may have been involved.)

You can click here to listen to "Processional" and catch us at 2 upcoming shows:

May 12th at Drom (with Copal and Joro Boro)

May 24th at Le Poisson Rouge (with a reading by Emily Rubin)

Woo!

Not Waving But Drowningphoto by Dave Ratzlow / ratzlow.com

BML Welcomes Michael Kammers

Fresh off a 5 week U.S. tour playing saxophone and organ with The Suite Unraveling, BML welcomes Michael Kammers to their roster of teachers.  A versatile musician, (Saxophonist/Pianist, Composer, Bandleader) Michael has been active in the creative music scene in Brooklyn since his arrival 9 years ago as leader of the 13 piece powerhouse The MK Groove Orchestra and as a sideman a wide variety of contexts.  Michael combines a laid back style with a rigorous approach. 

MKGO Big Band Clinic @ Onondaga Community College, 2008


Michael Kammers teaches Saxophone, Piano and Composition at Brooklyn Music Lessons

Learn more about Michael's music and performances at www.mkmkmk.com

Curtis Macdonald's debut album Community Immunity

I'm very excited about the release of my debut record, Community Immunity and want to share the first track with you!

 You can also pre-order a copy and receive an immediate download of the entire album.

"The pieces on this recording are like little puzzles with moving parts that fit together in the strangest ways. The moving parts lock in with uncanny seamlessness." -Dave Douglas

Official release date: April 5th (worldwide)
Concert/Celebration: April 17th @littlefieldnyc

Personnel featured on Community Immunity:

Curtis Macdonald - Alto Sax/Compositions
Chris Tordini - Bass
Greg Richie - Drums
Jeremy Viner - Tenor Sax/Clarinet
David Virelles - Piano
Michal Vanoucek - Piano
Travis Reuter - Guitar
Becca Stevens - Voice
Andrea Tyniec - Violin

Deck the Halls with the new D.V.S* Holiday EP!

Derek VanScoten (aka D.V.S*) just released the "NYC Holiday E.P." Each song is tailored to fit the character of a particular New York City neighborhood. These selections venture from folk to jazz, and hip hop to rock, showcasing Derek's varied guitar and production skills.

We're offering the EP as a FREE DOWNLOAD to anyone who purchases a Gift Certificate or registers a Trial Lesson with Derek between now and January 1st!

Derek VanScoten
Guitar, Mandolin, Electric Bass, Tenor Banjo, Bouzouki, Ableton Live, DJ, Pro Tools

BML welcomes Derek VanScoten, aka D.V.S* // Jimi Hendrix Remix

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Foxey Lady (RE-MXD) by D.V.S*

We're happy to announce the addition of string wizard / music producer Derek VanScoten, aka D.V.S* to the BML crew. This is one versatile dude - he does all of this:

Check out the above remix he did of Jimi Hendrix's 'Foxey Lady' - hilariously amazing.

Visit his page at http://brooklynmusiclessons.com/Derek-VanScoten to listen to both a Demo Reel showcasing his many talents (most notably his guitar playing) and to listen to another track of his featuring some really nice production.

To get started with Derek, visit the BML Store to register a Meet & Greet or a full Introductory Lesson.

Brooklyn Guitar Festival 2010

Celebrating 2 years of bringing the new, and under-appreciated gems of the Brooklyn music scene into the light, the Brooklyn Experiments Groove Series announces the 1st Annual BROOKLYN GUITAR FESTIVAL 2010! Every Sunday night this September, October and November will feature a different member of the local guitar family from in and around Brooklyn.

In the spirit of the great festivals, Woodstock, Bonaroo, Crossroads, comes a new and exciting festival celebrating the impact of the guitar in all its incarnations, as well as the geographically unique talent bringing it to life. Purposefully spread out across 3 months, this weekly gathering will more than justify it's need to grow in the coming years.

SUNDAY NIGHTS THIS FALL // SEPT, OCT & NOV
Rose Live Music
345 Grand Street Brooklyn, NY 11211 // 718.599.0069

FULL SCHEDULE & FREE DOWNLOADS

This week, Sunday, September 5th
featuring BML's own Curtis MacDonald Group + The Adam Rogers Trio!

9pm - Curtis MacDonlad Group (Feat. Travis Reuter)

Along with developing a sizable repertoire for the modern jazzensemble, Curtis' music has taken form in many a medium.  In the past 3 years he has composed music and sound for film, dance, games and chamber ensembles.  His production savvy can be heard on numerous new music and modern jazz recordings where he incorporates improvisation, sound art and digital technology.

Curtis Macdonald - Alto Sax
Jeremy Viner - Tenor Sax

Travis Retuer - Guitar
David Miralles - Keys

Chris Tordini - Bass
Cody Brown - Drums


10pm & 11pm - Adam Rogers Trio (w/Fima Ephron & Nate Smith)

"Unlike many musicians who ply their trade in New York, Adam Rogers has been doing it all his life, being, as he is, a lifelong resident of Manhattan. Since 1990, he has appeared a on over fifty recordings so diverse, that many fans know him as an expert player in different genres. For example, his gigging and recordings with Lost Tribe, saxman Bill Evans, and recently, Matt Garrison, have built his renown as a great player in the electric jazz idiom, whereas work with John Zorn, David Binney or Uri Caine make him identifiable as a downtown mainstay. Working with Cassandra Wilson, Regina Carter or either Brecker shows his straight ahead talents, and he has recorded and performed klezmer and middle eastern classical music with Giora Feidman and David Krakauer and Simon Shaheen. He is also an accomplished pop player, as recordings with Elvis Costello, Vitamin C and Alana Davis will confirm, and he brings real classical credentials to table as well, having studied and performed the idiom intensively at Mannes College in the eighties. The above is not intended to indicate that he is a jack-of-all trades, but truly, a modern-day, master multi-stylist."

~ Phil DiPietro (All About Jazz)

Adam brings his Funk/Rock trio to Rose to celebrate the kick-off of the Brooklyn Guitar Festival!

Adam Rogers - Guitar
Fima Ephron - Bass
Nate Smith - Drums

Hrabina: a Polish Opera

 

Once again, this unorthodox indie-opera company continues to redefine what is possible under a kaleidoscope of economic circumstances. During this time of great economic adjustment, OperaOggiNY continues to surprise. Forging ahead with its inclusive approach to performances, dubbed “Walk to the Opera,” the company follows its recent successes, Menotti's The Medium and Mercadante's Il Giuramento, with the American premiere of Polish composer Stanislaw Moniuszko’s three act opera Hrabina.

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